Reaching out to Others Through Collage: Excavations and Layers of Lisa Collado

A tiny work at the entrance to Lisa Collado’s exhibit greets visitors with: reaching out to others through collage. As I peered, mesmerized, at Lisa Collado’s work on display at Tannery Pond Community Center —this series of frenetic, almost dizzying, brilliantly colored collages—I could feel Lisa Collado reaching out to me, sometimes whispering, sometimes screaming …

Resilience and Resourcefulness in Mexico: Xochilmilco and Oaxaca’s Central Valley

A weaver in Teotitlan del Valle gives thanks before beginning work I am in awe of people who can make something out of nothing—salvagers and re-purposers and cultivators, dumpster divers and weavers, farmers coaxing food from the harshest earth, entrepreneurs finding possibility in a world of scarcity. On my recent trip to Mexico I saw …

The Sierra Norte: Walking in the land of the Zapotec

Capulalpám de Mendez is a pueblo mágico perched high in the Sierra Norte, reached by a curving, ascending two-hour drive from Oaxaca City. In these mountains, live people whose original language is Zapotec, not Spanish, who fight to preserve their traditions, and who live with a profound understanding of nature. View toward the villages Capulalpám …

“It’s As If We Were Country Bumpkins Who Didn’t Appreciate Art”: The Crystal Bridges Museum of American Art

Installation with Dale Chihuly glass work I remember clearly the brouhaha in Philadelphia over heiress Alice Walton’s attempt to purchase Eakins’s The Gross Clinic for the Crystal Bridges Museum in Bentonville, Arkansas. Behind the claims that the painting was part of Philadelphia’s patrimony, were the barely veiled sneers about the painting being displayed in northwest …